CRITICAL ESSAY
"Misprints". About Alessandro Gasbarri’s pleasant errors.
Alessandro Gasbarri starts up from colour, and I’m surprised by this after “Aufheben, getting over retaining”, his exhibition displayed last year in Frascati’s Scuderie Aldobrandini, where unnoticed objects, reassembled in a conceptual crescendo that gave them back a meaning, were the main characters of his works. An imperative urge of painting seemed then evident, mainly in the chromatic explosion of the three paintings “Social hypochondria. The Good, The Evil, The war”, a test of the remarkable expressive possibilities...